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Description
A fascinating
highlighting legacies and ruptures
Die Belegstellen
And that's not right
La surface et la chair: Madame d'Ora, Vienne-Paris, 1907-1957. Philosophie A fascinatingWhat could be more exceptional in the history of photography than the coexistence, in the same artist, of practices covering apparently antagonistic fields: that of fashion and that of documentary activity? Between the recording, often considered futile, of the surface and the ornaments that cover it (choice of clothing, valorization of the beauty and glamour of the models) and that of the miseries of the world, of bodies, including in their rawest
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